SUMMER 2026

Agathe Toman, Leica Leicaflex SL (1968-1974) Rolls #04 - Editions 1-15 of 15

SUMMER 2026

Agathe Toman, Leica Leicaflex SL (1968-1974) Rolls #03 - Editions 1-15 of 15

Fragements of Pyrenees 2026

SPRING 2026

Agathe Toman, Leica Leicaflex SL (1968-1974) Rolls #01-02 - Editions 1-15 of 15

Fragements of Pyrenees 2025

Pictures

My photographs unfold at the edge of perception.

They attend to what trembles, what shifts, what resists definition.

The image never entirely settles. It blurs, dissolves, reconfigures itself, as memory does.

Contours soften.
Depth becomes uncertain.
What is seen begins to slip away.

Photography becomes a space of experience: a territory in which perception hesitates and the boundaries between the visible and the invisible begin to dissolve.

What matters is not so much the subject as the act of seeing.

Because looking is never neutral.

What I perceive is already traversed by what I am. The landscape acts upon the person looking at it; in turn, the gaze transforms what it encounters.

Each photograph holds this reciprocal movement.

Between presence and disappearance.
Between what is perceived and what is imagined.
Between the world as it appears and the experience of seeing it.

Time stretches.
It becomes porous.

The image does not resolve.
It persists.

These works inhabit the threshold where clarity gives way to sensation. They require a slower gaze, one that adjusts, searches, and accepts the possibility of not fully knowing what it sees.

Something appears, then withdraws.

Something remains, without becoming fixed.

Photography becomes a passage.

A movement from perception towards something more internal. From what is seen to what is felt, and, perhaps, back again.

The image does not end at its surface.

It continues into matter.