La forêt.

Rien n’est vivant qui ne s’éprouve.

On la trouve cette inconnue aux choses, là où le vivant ne connaît langue ni langage.

Je recouvre ce que j’ai trouvé.
Je le regarde.
Je prends du temps pour le regarder.
Je le cache, je le mets derrière pour revenir le chercher plus tard.
Quand ça sera le bon moment.

La traversée doit continuer.
Je saurai quand c’est le bon moment.
Pour le moment, je ne le sais pas.

C’est lointain. Une découverte émergera.

Je lacère son écorce.
Encore et encore.

Cette chose qui était autre, devient encore autre.
Pas autre chose, mais une chose.

L’entièreté commence à émerger.
Mais il est encore trop tôt pour le dire.
Je ne suis qu’à l’aube de la forêt.

Je vais devoir tomber, plusieurs fois.
J’en souffre, et c’est comme ça que je sais.

Que je suis sur le bon chemin.

La forêt se densifie.
Je dois continuer à chercher, longtemps.

Je trébuche.

Une lueur à travers les troncs de la forêt m’éblouit.
Lumière jaune.
Elle me réchauffe.

Je fatigue, mais je continue, longtemps.

Plus profond, je m’enfonce.
La forêt est dense.
Mon pas est lent.

Mon geste s’intensifie.
Il est vif.

La lumière reparaît.

Une charge physique s’imprime à l’orée.
Je traverse.

Et sur le chemin j’ai mué.

Dans ces forêts, dans ces ciels, des bouts de moi.

La forêt est épaisse.
Lentement, j’avance.

Je vibre et j’imprime.

Cette lumière que j’ai peinte, passe à travers les arbres. Elle s’échappe dans la brume.
Elle est douce.

Parfois, elle m’embrasse et me réchauffe.

Une nature colorée de sensations, teintée de vibrations. Les arbres s’agitent dans le geste, mouvants.

Cet imperceptible beauté immanente à la fusion opérée avec la nature.

Ces paysages abstraits, complexes, intenses exigent de se laisser toucher.

Dedans.

C’est du plaisir, et du déplaisir.
Il y a de la jouissance à prendre dans ce déplaisir.

Le bon endroit.
Un endroit que l’on n’a pas encore découvert.

Un endroit qui nous fait peur autant qu’il nous attire.

On n’entre pas dans la forêt pour trouver.
On y entre pour devenir autre.

LA FORÊT I

160 x 160 x 5 cm
Oil painting and charcolal on canvas. Oak tree frame, black color.

Unique piece - 2026

LA FORÊT II

140 x 140 x 2 cm
Oil painting and charcolal on canvas.

Unique piece - 2026

LA FORÊT III

120 x 120 x 3 cm
Oil painting and charcolal on canvas.

Unique piece - 2026

LA FORÊT IV

180 x 80 x 2 cm
Oil painting, natural pigments and charcolal on canvas.

Unique piece - 2026

LA FORÊT V

180 x 80 x 2 cm
Oil painting, natural pigments and charcolal on canvas.

Unique piece - 2026

LA FORÊT VI

160 x 150 x 2 cm
Oil painting, natural pigments and charcolal on canvas.

Unique piece - 2026

LA FORÊT VII

140 x 140 x 2 cm
Oil painting on canvas.

Unique piece - 2026

LA FORÊT VIII

200 x 100 x 3 cm
Oil painting, natural pigments and charcolal on canvas.

Unique piece - 2026

LA FORÊT IX

80 x 120 x 2 cm
Oil painting and natural pigments on canvas.

Unique piece - 2026

LA FORÊT X

100 x 100 x 4 cm
Oil painting on canvas.

Unique piece - 2026

LA FORÊT XI

80 x 120 x 2 cm
Oil painting and natural pigments on canvas.

Unique piece - 2026

The Fluids.

My monochrome black paintings are not about absence.
They are about presence — dense, opaque, unresolved.

This body of work marks a turning point in my practice: the entry into total abstraction, where black pigment becomes a field of experience rather than a color.

The surfaces evoke something raw, almost organic — like bark, like earth — but they are never descriptive. They hold.

Black contains everything.
It carries memory, tension, and what remains unspoken.

Light is there, but not where one expects it.
It appears in fragments, in subtle shifts, at the edge of perception.

These works do not offer clarity.
They resist interpretation.

They ask for presence.

Standing in front of them can feel unstable, sometimes uncomfortable — as if something long held beneath the surface begins to move.

The painting does not reveal.
It activates.

It opens a space where the viewer is no longer outside the work, but implicated in it.

What emerges is not an image, but a state.

A threshold.

A zone where perception hesitates, where the boundaries between inner and outer begin to dissolve.

These paintings do not seek to be understood.
They operate elsewhere — in the silent tension between what is seen and what is felt.

Something happens there.
Something precise, yet impossible to name.

FLUIDS#06

77 x 56 x 4 cm
Pure black pigments & acrylic paint on Arches Velin. Oak tree frame, black color. Museum glass.

Unique piece - 2019

FLUIDS #10

77 x 56 x 4 cm
Pure black pigments & acrylic paint on Arches Velin. Oak tree frame, black color. Museum glass.

Unique piece - 2019

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THUS #000

123 x 83 x 5 cm
Pure black pigments, acrylic paint on canvas. Oak tree, natural color frame. No glass.

Unique piece - 2021

TRUST #01

110 x 74 x 2 cm
Acrylic paint and China Ink on paper. Unframed.

Unique piece - 2021

TRUST #02

110 x 74 x 2 cm
Acrylic paint and China Ink on paper. Unframed.

Unique piece - 2021

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SILENCE #001

120 x 78 x 4 cm
Acrylic paint on Arches Velin. Unframed.

Unique Piece - 2021

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SILENCE #002

120 x 78 x 4 cm
Acrylic paint on Arches Velin. Unframed.

Unique Piece - 2021

FLUIDS #02

100 x 71 x 4 cm
Pure black pigments, acrylic paint & China ink on Arches Velin. Oak tree frame, natural color. Museum glass.

Unique Piece - 2018

FLUIDS #04

117 x 75 x 4 cm
Pure black pigments, acrylic paint & China ink on Arches Velin. Oak tree frame, black color. Museum glass.

Unique Piece - 2019

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FLUIDS #05

123 x 83 x 4 cm
Pure black pigments, acrylic paint & China ink on Arches Velin. Oak tree frame, black color. Museum glass.

Unique piece - 2019

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ANIMA #01

117 x 80 x 4 cm
Pure black pigments, acrylic paint & China ink on Arches Veli. Oak tree, natural color frame. Museum glass.

Unique piece - 2020

Sold during the Sotheby’s auction sale ‘Contemporary Curated’ - July 2021, Paris

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BLEUE #002

116 x 80 x 4 cm
Pure black & blue pigments, charcoal, acrylic paint on Arches pape. Oak tree frame, natural color, black background. Museum glass.

Unique piece - 2021

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BLEUE #000

100 x 95 x 4 cm
Pure black & blue pigments, charcoal, acrylic paint on Arches Velin. Oak tree frame, natural color, black background. Museum glass.

Unique piece - 2021

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BLEU #000

105 x 75 x 4 cm
Pure black & blue pigments, acrylic paint on Arches paper. Oak tree frame, natural color, black background. Museum glass.

Unique piece - 2022

Blues.

My blue paintings are not about color.
They are about depth.

They unfold through layers — deposits of pigment, gestures, withdrawals — where something slowly takes form without ever fully resolving.

These surfaces hold a tension between appearance and disappearance.
Between what emerges and what withdraws.

Blue becomes a space of passage.

A place where perception shifts, where the visible and the invisible begin to overlap.

Each layer carries traces — of memory, of movement, of something that has passed through the body before reaching the surface.

Nothing is fixed.
Everything remains in suspension.

These works explore states that cannot be fully grasped: moments where thought hesitates, where an emotion exists before it can be named.

They operate in that interval.

A threshold between presence and absence, connection and separation.

The painting does not describe.
It accumulates.

It builds a field where fragments of experience — memory, sensation, perception — begin to coexist.

The blues absorb as much as they reveal.

They invite a slower form of attention.

To stand before them is to enter a space where time dilates, where the image resists immediate understanding.

Something appears, then recedes.

Something remains, without ever fully stabilizing.

These paintings are not answers.
They are conditions.

Spaces where the viewer can encounter their own interior movements.

A place where the boundaries of the self become less certain.

Where perception opens.

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BLEUE #001

105 x 80 x 4 cm
Pure black & blue pigments, charcoal, acrylic paint on Arches Veli. Oak tree frame, natural color, black background. Museum glass.

Unique piece - 2021

BLEU #003

93 x 79 x 4 cm
Pure black & blue pigments, acrylic paint on paper. Oak tree frame, natural color, black background. Museum glass.

Unique Piece - 2022

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TRUST - NOIR

103 x 52 x 5 cm
Oil paint, China ink on paper.

Unique piece - 2019

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FLUIDS #01

45 x 81 x 4 cm
Pure black pigments, acrylic paint & China ink on Arches Velin. Oak tree frame, black color. Museum glass.

Unique piece - 2018

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BLEU #012

110 x 110 x 4 cm
Natural bleu & black pigments, wax, acrylic paint, and charcoal canvas.

Unique piece - 2023

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BLEU #006

80 x 80 x 5 cm
Pure blue & black pigments, acrylic paint and charcoal on canvas.

Unique piece - 2023

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BLEU #007

98 x 66 cm
Pure black & blue pigments, acrylic paint and charcoal on paper.

Unique piece - 2023

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BLEU #005

78 x 88 x 4 cm
Pure black & blue pigments, acrylic paint and charcoal on paper. Oak tree frame, natural color, black background. Museum glass.

Unique piece - 2023

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bleu #009

50 x 100 x 5 cm
Natural bleu & black pigments, charcoal and acrylic paint on canvas.

Unique piece - 2023

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bleu #011

50 x 100 x 5 cm
Natural blue & black pigments, charcoal and acrylic paint on canvas.

Unique piece - 2023

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bleu #013

96 x 96 cm
Natural blue & black pigments, oil paint, and charcoal paper.

Unique piece - 2023

DISSOCIATION - BLEU

190 x 180 x 5 cm
Natural blue & black pigments, oil paint on canvas.

Unique piece - 2024

SUBLIMATION - BLEU

140 x 140 x 5 cm
Natural blue & black pigments, wax & acrylic paint on canvas.

Unique piece - 2023

FONCTIONNEMENT PLURIEL - BLEU

140 x 140 x 5 cm
Natural bleu & black pigments, oil paint on canvas.

Unique piece - 2024

INTRUSION - BLEU

180 x 170 x 5 cm
Natural bleu & black pigments, oil paint on canvas.

Unique piece - 2023

APPRIVOISEMENT PROGRESSIF - BLEU