My parents had to leave their home.

The forest was on fire.

The trees are black and orange.

We can’t breathe there.

We used to breathe better there.
Now it’s dead.
And so will we be.

She speaks, but we don’t listen.

A.

LA FORÊT XV

140 x 196 x 3 cm
Plaster bandage, pigments and oil on canvas.

Unique work - 2026

La Forêt.

Rien n’est vivant qui ne s’éprouve.

On la trouve cette inconnue aux choses, là où le vivant ne connaît langue ni langage.

Je recouvre ce que j’ai trouvé.
Je le regarde.
Je prends du temps pour le regarder.
Je le cache, je le mets derrière pour revenir le chercher plus tard.
Quand ça sera le bon moment.

La traversée doit continuer.
Je saurai quand c’est le bon moment.
Pour le moment, je ne le sais pas.

C’est lointain. Une découverte émergera.

Je lacère son écorce.
Encore et encore.

Cette chose qui était autre, devient encore autre.
Pas autre chose, mais une chose.

L’entièreté commence à émerger.
Mais il est encore trop tôt pour le dire.
Je ne suis qu’à l’aube de la forêt.

Je vais devoir tomber, plusieurs fois.
J’en souffre, et c’est comme ça que je sais.

Que je suis sur le bon chemin.

La forêt se densifie.
Je dois continuer à chercher, longtemps.

Je trébuche.

Une lueur à travers les troncs de la forêt m’éblouit.
Lumière jaune.
Elle me réchauffe.

Je fatigue, mais je continue, longtemps.

Plus profond, je m’enfonce.
La forêt est dense.
Mon pas est lent.

Mon geste s’intensifie.
Il est vif.

La lumière reparaît.

Une charge physique s’imprime à l’orée.
Je traverse.

Et sur le chemin j’ai mué.

Dans ces forêts, dans ces ciels, des bouts de moi.

La forêt est épaisse.
Lentement, j’avance.

Je vibre et j’imprime.

Cette lumière que j’ai peinte, passe à travers les arbres. Elle s’échappe dans la brume.
Elle est douce.

Parfois, elle m’embrasse et me réchauffe.

Une nature colorée de sensations, teintée de vibrations. Les arbres s’agitent dans le geste, mouvants.

Cet imperceptible beauté immanente à la fusion opérée avec la nature.

Ces paysages abstraits, complexes, intenses exigent de se laisser toucher.

Dedans.

C’est du plaisir, et du déplaisir.
Il y a de la jouissance à prendre dans ce déplaisir.

Le bon endroit.
Un endroit que l’on n’a pas encore découvert.

Un endroit qui nous fait peur autant qu’il nous attire.

On n’entre pas dans la forêt pour trouver.
On y entre pour devenir autre.

LA FORÊT XIII

170 x 170 x 3 cm
Oil and charcolal on canvas.

Unique work - 2026

LA FORÊT I

160 x 160 x 5 cm
Oil and charcolal on canvas.

Unique work - 2026

LA FORÊT VI

160 x 150 x 2 cm
Oil, pigments and charcolal on canvas.

Unique work - 2026

LA FORÊT II

140 x 140 x 2 cm
Oil and charcolal on canvas.

Unique work - 2026

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LA FORÊT III

120 x 120 x 3 cm
Oil and charcolal on canvas.

Unique work - 2026

LA FORÊT VII

140 x 140 x 2 cm
Oil on canvas.

Unique work - 2026

LA FORÊT VIII

200 x 100 x 3 cm
Oil, natural pigments and charcolal on canvas.

Unique work - 2026

LA FORÊT XI

80 x 120 x 2 cm
Oil and pigments on canvas.

Unique work - 2026

LA FORÊT IX

80 x 120 x 2 cm
Oil and pigments on canvas.

Unique work - 2026

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LA FORÊT X

100 x 100 x 4 cm
Oil on canvas.

Unique work - 2026

LA FORÊT IV

180 x 80 x 2 cm
Oil, pigments and charcolal on canvas.

Unique work - 2026

LA FORÊT V

180 x 80 x 2 cm
Oil, pigments and charcolal on canvas.

Unique work - 2026

FLUIDS#06

77 x 56 x 4 cm
Pigments and acrylic on Arches Vélin paper.

Unique work - 2019

FLUIDS #10

77 x 56 x 4 cm
Pigments and acrylic on Arches Vélin paper.

Unique work - 2019

FLUIDS

My monochrome black paintings are not about absence.
They are about presence — dense, opaque, unresolved.

This body of work marks a decisive shift in my practice: the entry into total abstraction, where black pigment ceases to function as colour and becomes a field of experience.

The surfaces evoke something raw, almost organic — bark, earth, matter in an indeterminate state — without ever becoming descriptive.

They hold.

Black contains rather than conceals. It carries memory, tension, and what remains unspoken.

Light persists, but never where it is expected. It emerges in fragments, through minute variations in the surface, at the threshold of perception.

These works offer no clarity.
They resist interpretation.

They require presence.

To stand before them is to encounter a certain instability, at times an unease — as though something held beneath the surface had begun to move.

The painting does not reveal.
It activates.

It establishes a space in which the viewer can no longer remain entirely outside the work, but becomes implicated in the experience it produces.

What emerges is not an image, but a state.

A threshold.

A territory in which perception hesitates and the distinction between inner and outer begins to dissolve.

These paintings do not seek to be understood. They operate elsewhere — within the silent tension between what is seen and what is felt, between the material presence of the work and what it sets in motion within the person who encounters it.

Something happens there.

Something precise, yet resistant to language.

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THUS #000

123 x 83 x 5 cm
Pigments and acrylic on canvas.

Unique work - 2021

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TRUST #01

110 x 74 x 2 cm
Acrylic and Indian ink on paper.

Unique work - 2021

TRUST #02

110 x 74 x 2 cm
Acrylic and Indian ink on paper.

Unique work - 2021

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SILENCE #001

120 x 78 x 4 cm
Acrylic paint on Arches Velin. Unframed.

Unique work - 2021

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SILENCE #002

120 x 78 x 4 cm
Acrylic on Arches Vélin paper.

Unique work - 2021

FLUIDS #02

100 x 71 x 4 cm
Pigments, acrylic and Indian ink on Arches Vélin paper.

Unique work - 2018

FLUIDS #04

117 x 75 x 4 cm
Pure black pigments, acrylic paint & Indian ink on Arches Velin. Oak tree frame, black color. Museum glass.

Unique work - 2019

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FLUIDS #05

123 x 83 x 4 cm
Pure black pigments, acrylic paint & Indian ink on Arches Velin. Oak tree frame, black color. Museum glass.

Unique work - 2019

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ANIMA #01

117 x 80 x 4 cm
Pigments, acrylic paint and Indian ink on Arches Vélin paper.

Unique work - 2020

Sold during the Sotheby’s auction sale ‘Contemporary Curated’ - July 2021, Paris

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BLEUE #002

116 x 80 x 4 cm
Pigments, charcoal and acrylic on Arches paper.

Unique work - 2021

Bleues

My blue paintings are not about colour.
They are about depth.

They unfold through successive layers — deposits of pigment, gestures, erasures — through which something gradually takes form without ever entirely resolving.

Their surfaces inhabit the tension between appearance and disappearance. Between what emerges and what withdraws.

Blue becomes a space of passage.

A territory in which perception shifts, and the boundaries between the visible and the invisible begin to dissolve.

Each layer retains a trace — of memory, movement, something that has passed through the body before reaching the surface.

Nothing is fixed.
Everything remains suspended.

These works explore states that resist being fully grasped: moments in which thought hesitates, in which an emotion exists before language can contain it.

They inhabit this interval.

A threshold between presence and absence, connection and separation.

The painting does not describe.
It accumulates.

Through matter, fragments of experience — memory, sensation, perception — are brought into coexistence. They overlap, obscure one another, resurface.

The blues absorb as much as they reveal.

They demand another temporality of the gaze.

To stand before them is to enter a space in which time dilates and the image resists immediate understanding. Something appears, then recedes. Something remains without ever becoming entirely fixed.

These paintings offer no answers.
They establish conditions.

Conditions in which the viewer may encounter their own inner movements, where the contours of the self become less certain and the distinction between what is perceived and what is felt begins to waver.

A space opens.

And perception moves within it.

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BLEUE #000

100 x 95 x 4 cm
Pigments, charcoal and acrylic on Arches Vélin paper.

Unique work - 2021

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BLEU #000

105 x 75 x 4 cm
Pigments and acrylic paint on Arches paper.

Unique piece - 2022

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BLEUE #001

105 x 80 x 4 cm
Pure black & blue pigments, charcoal, acrylic paint on Arches Veli. Oak tree frame, natural color, black background. Museum glass.

Unique piece - 2021

BLEU #003

93 x 79 x 4 cm
Pure black & blue pigments, acrylic paint on paper. Oak tree frame, natural color, black background. Museum glass.

Unique Piece - 2022