Agathe Toman is a 30 years old French, Austrian & Czech artist, painter and drawer, living between Paris and Biarritz.
She entered at a young age the prestigious french parisian fashion school named Ecole de la Chambre Syndicale de la Couture Parisienne. After graduating she worked for luxury brands such as Yves Saint Laurent and Yoji Yamamoto.
4 years ago, Agathe Toman felt that it was high time to dedicate herself full time to her artistic creation.
Following a dozen of chosen exhibitions between Biarritz and Paris, as a solo artist or even in collaboration with other talented artists, she exhibited last Spring at the Paris contemporary drawing fair, DDessin and at the ART PARIS ART FAIR at the Grand Palais, represented by LN Gallery.
Today, Agathe Toman is selling her art works throughout Europe. She is also building strong collaborations with Brands such as Vans, Ernest Wall Paper Paris, Valley Eyewear…
Agathe’s world is mostly black and white, with touch of gold emerging at times. Her dreamlike arts are made of black biro pen and acrylic paints. She spreads her vibrating imagination on many various supports such as paper, canvas or walls.
They materialize the link between reality and the invisible which actually exists, and that she obviously strives to make you See. Connection is therefore essential.
A matter of being attentive to oneself, to one’s emotions, vibrations and perceptions. The necessity is to show oneself and to exhibit vulnerability in its truest form, is absolute;.Therefore the spectator can also do it by projection.
Her art is not singular in its ownership. It belongs to the spectator, always unique, in between a production and an interpretation. The use of black and white is not trivial. It paves the way towards freedom of interpretation. Discovering the fundamentals of a specific emotion, which for Agathe has no colour. Much the same as the writer who does not question the initial choice of his words : “Red” will vibrate with descriptions, written in black and white.
The black is absorbing the white, the white absorbs the black, this distinction is not clear-cut and the spectator can interpret : the last lights of something that will disappear or an appearance possibly, a promise of brightness …
« The universe according to Agathe Toman is a complex canvas moving so each invisible thread participates in its coherence thus guaranteeing an infinite multiplicity. Each thread allows when we touch it, to see and feel a particular harmony which is unknown, inimitable, unique. Creation is vibrating through an arpeggio of her expression; an encounter, a dream, a fleeting thought, an invented color, the skin that we barely touch, that we scrub, that we scratch, our skin, or the other’s, makes it echo and create symphonies that are perpetually new. You have to listen carefully. Discover futures, identities, and feelings that have no names or natures preceding them. Let yourself go. Become an echo room. Fight against the door that could shut before the intangible. Embrace, come out, welcome these emotions which are modulated from the brightest to the darkest. It is a discipline. A priesthood that the artist endorses. She listens to herself. She listens.
A striped black, a white delight, are the notes that are specific to each person, to each thing, to each moment. That is what allows a big, thick, whole, rich and eternal truth. Her work is a synthesis of the inaudible to the invisible and from the invisible to the impalpable. »
From « The Invisibles – One Sacred » 2019.